I’d like to introduce you to Christine Anne Asbrey, author of The Innocents, a historical mystery novel that will be available tomorrow. She did an amazing amount of homework before writing her book, and it’s a tantalizing tale of mystery, history, and romance.
Christine Anne Asbrey
Did you always want to be a writer?
I was always a voracious reader, my mother teaching me with flashcards at the age of two, and graduating to the adult section of the library about the age of ten. I easily finished three books a week for years and was lost without one. Mysteries were a real love, and I consumed the works of writers old and new constantly. The one thing I always wanted to do was to write but never had the confidence or time to do more than dream about it.
What was an early experience where you learned that language had power?
That would be in my work as a young police officer. I learned that talking people down from spiraling emotions is a powerful tool in keeping people safe, and more potent than violence. I also learned that listening to detail is vital too. Noting the small things helped to push cases along in gathering evidence. I also learned the complex and intricate ways people use language to put you down and grab power in a situation. Understanding that really helps you stay in control of a situation.
Who is the most famous person you have ever met?
That would be either the Pope of the Queen – on a protection duty. When the Pope visited Scotland I was the police officer at the bottom of the aircraft steps. We then moved with him into the city. As a fun aside, the glass-covered vehicle he used was nicknamed the Pope Mobile by the press. The crowds were all still there when we returned to the airport in the Pope mobile without him. We stood in full uniform waving flowers out the top to cheering crowds as we drove the full length of Prince’s Street in Edinburgh (the big main street in Scotland’s capital city). The crowd cheered us and waved flags as we passed. Only a Scottish crowd could hail a car full of police officers like that. Great fun.
What inspires you?
Often fact is stranger than fiction, so I’ll start with real crime or criminals. I‘ll then change it to ensure that even people familiar with that particular crime can’t guess whodunit. The stories are inspired by real crimes and people but they are not a memoir. They are stories where everything is historically possible. It either happened or could have happened.
How long have you been writing?
I’ve been playing with the characters for about ten years, but work and life got in the way. I started writing seriously about two years ago and spent about a year being turned down by everyone. I acted on every bit of feedback and continually got my work reviewed and improved until it was polished enough to be accepted.
Do you write under a pseudonym?
I kinda do. I write under my married name and feature on social media under my maiden name for social interactions. I also write under initials. I don’t hide my gender, but it’s not immediately obvious when you look at the book cover.
What’s your favorite under-appreciated novel?
That would have to be ‘The Moonstone’ by Wilkie Collins. Not only is it considered the first proper detective novel in the English language, it also shows working class females as rounded characters instead of foils for male attention. It also is the first to introduce many of the elements we take for granted in mysteries such as red herrings, false suspects, the skilled investigator, and a final twist. Collins was actually vastly more popular than Dickens in his day, but is now largely forgotten in comparison.
How did you come to write The Innocents?
My grasp on the methodologies used by law enforcement, when applied the law in day to day enquiries in the days before technology was available, as well as historic weaknesses and blind spots in the both the legal and court systems, make for an authentic backdrop to the characters.
I first became interested in the female pioneers in law enforcement when I joined the police in Scotland. History has always held a draw and the colorful stories of the older officers piqued my interest, making me look even further back.
The very first women in law enforcement had been in France, working for the Sûreté in the early 19th century. They were, however, no more than a network of spies and prostitutes, the most infamous being the notorious ‘Violette’. Now there’s another story which needs to be told!
The first truly professional women in law enforcement worked for the Pinkerton Agency, and they were trained by the first female agent Kate Warne, an ex-actress and an expert in working undercover. Kate Warne was an expert at disguise, adopting roles, and accents. She was said to be daring and able to pass her characters off, even in close quarters. In the only known photograph of her she is dressed as a man.
These women were fully-fledged agents, with their skills being held in high regard by Alan Pinkerton who once said, “In my service you will serve your country better than on the field. I have several female operatives. If you agree to come aboard you will go in training with the head of my female detectives, Kate Warne. She has never let me down.”
I started to wonder why one of the female agents couldn’t be a Scottish Immigrant. After all, Alan Pinkerton was one. He came from Glasgow. Being a Scot in another land is something I know well. They do say you should write what you know.
The topic for ‘The Innocents Mystery Series’ simmered in the background for years, and all the time I was researching more and more deeply into the period. I love the rapid pace of innovation and invention in the 19th century. Nothing pleases me more than finding spy gadgets available at the time which were invented far earlier than most people would think possible.
Work and life got in the way of the books being anything more than an idea until I was suddenly grounded by a serious accident. The enforced leisure time of recuperation focused my mind and the old dream of writing resurfaced. It started as a short story which took on a life of its own when it grew and grew—then grew some more.
Eventually, ‘The Innocents Mysteries’ evolved and I found the perfect home for it at Prairie Rose. This is my first foray into fiction. I have produced magazine and newspaper articles based on consumer law and written guides for the Consumer Direct Website. I was Media Trained by The Rank Organization, and acted as a consultant to the BBC’s One Show and Watchdog. I have also been interviewed on BBC radio answering questions on consumer law to the public.
How long did you spend researching before beginning your book The Innocents?
Copious amounts. The Innocents has taken years of research into the work of the early Pinkertons, especially the female agents and the kind of work they did, including their methodologies. My work has taken me all over the world, but working in the USA and visiting the places where these women worked deepened my passion for finding out more about how they lived. I also researched the tools and equipment available to them at the time. Connections to police and Home Office experts allowed me to research the birth of forensics with people who knew their subject intimately.
I research everything, even the stationary which was in use and the correct codes for the telegraph stations mentioned in the books. The theatrical make up used as disguises in the book began to flourish right around the period the books are set in as lighting improved and people could see the flaws in the rudimentary stuff previously only lit by candles. The forensics are fascinating to dig into too. You name it I researched it.
How did you select the names of your characters?
As I write 19th century characters I try to keep them in period and maintain a sense of place. I’ll research popular or unusual names as well as using names of people I know if they’re appropriate. I’ve also been known to add really unusual names to my note as I come across them. Some are too good not to use.
What was your hardest scene to write?
The interrogation scene. I had to inject a sense of menace into it to make it work. I know it’s not usual to make your hero do bad things, but he’s a professional criminal and he has to find out who this mysterious woman is and how much danger the heroine poses to him.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
‘The Innocents’ is most definitely part of a larger body of work. It’s the first of a trilogy, but if people like them there’s plenty of scope to keep them going. I would still continue with each book being a self-contained mystery with the larger universe of the characters providing an over-arching connection between the books. The third book is written and at editing stage, but there are plenty of trials I can still put the characters through yet.
Thanks, Christine, for sharing your writing journey of The Innocents with us.
If you like to follow Christine’s writing journey, you can find her on the following media:
Website: C.A Asbrey – all things obscure and strange in the Victorian period http://caasbrey.com/
Facebook: The Innocents Mystery Series Group https://www.facebook.com/
Christine Anne Asbrey’s book The Innocents goes live on Amazon tomorrow but you can pre-order today!